This is one for heavy rotation. Much of this success arises out of the vocal samples; deliberately hazy, their small, but powerful existence allows Film Festival to consistently remain exciting and captivating. Find the best price on electric guitars and basses like the new Fender Player Series, acoustic guitars, guitar effects and amplifiers. The topics are profound and timely, fresh in their perspective. To participate, please visit the for more information. On cuts like 'Dive Bar Support Group' and 'A Short About A Guy That Dies Everynight,' White takes his invaluably knowledge of not just music but film to create something that works in both regards, the story-telling Eagle adds only goes to prove the producers work of eliciting this sort of response. Welcome to Dozens Of Donuts, a music blog dedicated to bringing viewers excellent content and reviews that leave no stone unturned.
This article has been rated as Low-importance on the project's. You know, for all the undergroud Hip-Hop genres currently being ousted by more vibrant, alluring Internet-based hype artists the abstract unravelings of the Hellfyre Club are staying afloat. Hella Personal Film Festival begins with what would later become my favorite track. . When you realize the two emcees are two sides of the same coin you really start to see the worth of each. Regardless of where they may appear, you can always find everything I post here. That status makes him the focal point of the new Hella Personal Film Festival, a record that more than sufficiently showcases his talents—wry social commentary through snapshot-of-life vignettes, anxiety and self-awareness mixed with stream-of-consciousness irreverence, all delivered with a smooth and relaxed if plodding flow.
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His production isn't what carries Film Festival, but where Eagle's additions are expected, White's threw me through a loop. You may know Paul White from his solo work, or his production work with Danny Brown, Homeboy Sandman, or Yasiin Bey Mos Def. It's those last two though that are really the focus. And yet, I keep wanting to return to White. But, his work with Open Mike sets a new standard for cohesiveness and creativity. S, Aesop Rock, Yoni Wolf, Kool A.
Acting as identical twins birthed from their father Busdriver, Milo and Eagle have adapted the playset they were given by pushing more content out over smaller spans of time. They're rightfully cinematic, but not in a multi-million dollar production kind of way, but one that works with what little you have. Song Duration 1 Admitting the Endorphin Addiction 3:28 2 2:43 3 Dang Is Invincible 2:50 4 Check to Check 2:03 5 The Curse of Hypervigilance In Politics, Romance, and Cohabitation 2:47 6 Insecurity 2:31 7 Smiling Quirky Race Doc 3:42 8 Leave People Alone 3:05 9 A Short About a Guy That Dies Every Night 3:03 10 Protectors of the Heat 4:26 11 Insecurity, Pt. Both 2014 releases, Open Mike Eagle's Dark Comedy and Milo's failed to show true diversity when relying on the production, but here, with the reigns being handed to a single man who's told to make a batch of shorts, the concepts are sprawling. This isn't your typical underground Hip-Hop release, where they boldly claim their artistic distinctions but what they show within is held on the same plateau. One quality song after another fills Film Festival to its brim, and if it isn't Eagle drawing you in with his tactile rhyme play-doh, it's White setting such a vivid scene for the ensuing play that you can't help but be awe-struck.
This makes Eagle's work stand apart from his companion Milo in that the former picks apart broad ideas using a narrow vision, whereas the latter tells of personal quandaries with sweeping concepts. The telltale signs of an artist on the rise are written all over Hella Personal Film Festival's walls, we'll just have to wait and see who exactly is willing to follow. Oh, and those four tracks? The apt title Hella Personal Film Festival gets at Eagle's quest for deep meaning, and his use of literate and hip wit to cut away all the dreck. There's even an unmatched selection of great deals on open-box instruments, equipment and technology that ships worldwide. It may not reach the highs of some of Milo's work, or even have anything as breathtaking as Eagle's 'Ziggy Starfish Anxiety Raps ' or 'Big Pretty Bridges,' but it is certainly his most consistent effort. Really, there's nothing bad I can say about the album. This article has been rated as Start-Class on the project's.
Eagle is a force on his own. Hemlock Ernst of Future Islands 11 Insecurity Pt. It's not like those two are outliers, the bulk of Film Festival warrants this compliment. Witty and earnest, he raps with a conversational flair, which makes the great swathe of subjects he juggles go down without much trouble: He can rap about his personal, private relationship with his son in one breath and let out a zeitgeist-skewering one-liner in the next. The need to stay hip is real, so while I may not be great at promoting myself through social media, you can find me all over the place.
How Eagle sports his stories, in a haphazard flow that teeters on each note is sensational. What stitches them together is the vocal underbelly, no track goes without one well-placed loop, and rooted Hip-Hop necessities. This article has been rated as Start-Class on the project's. For listeners, it's the perfect introduction to both Eagle and Paul White's sound. The two, already, seem inseparable, with White's sample-based, vocal-laced background performance competing fairly with Eagle's densely comedic, personal, and political lyrics.